The Sasquatch, the Fire and the Cedar Baskets (FNCR 2021) 2000 This collection is unique in

This collection is unique in that it chronicles not only the treasure house of a vibrant First Nation culture

and singing

Clayton Brascoupe describes his life as a farmer in northern New Mexico

White Masks: Rejecting the Colonial Politics of Recognition examines how recognition has become the dominant mode of negotiation and decolonization between the nation-state and Indigenous nations in North America

Jethro Anderson

The Sasquatch, the Fire and the Cedar Baskets (FNCR 2021) 2000 This collection is unique inThe Sasquatch, the Fire and the Cedar Baskets by Joseph Dandurand, a member of Kwantlen First Nation located on the Fraser River and illustrated by Simon Daniel James, an Indigenous artist from the Mamalilikulla Kwicksutaineuk clans from the Kwakwakawakw nation, is told with grace and simplicity by a master storyteller in the great tradition of the Kwantlen people and accompanied by whimsical illustrations from this Kwakwakawakw artist. Deep in the